Category: Space

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Book Review: ‘The Thinking Space: The Café as a Cultural Institution in Paris, Italy and Vienna’ — Cafe Dissensus Everyday

By Gaurav J. Pathania  – The café becomes a site of enunciation of identity, lived experience, and contested meaning, bringing the city inside, but also shielding its regulars from the “crowd” and the “masses” outside.

via Book Review: ‘The Thinking Space: The Café as a Cultural Institution in Paris, Italy and Vienna’ — Cafe Dissensus Everyday

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The Intriguing Hidden History of Corridors as Explored by Liminal Narratives

Let us return to the corridor – intrigued and delighted by Rachel Hurdley’s Radio 4 broadcast, The hidden history of the corridor. Poised between public and private; open and closed; movement and stasis; the pragmatic and the eerie, corridors are ‘time and ‘matter out of place” (Hurdley, p.50). From one perspective, opening the door to […]

via Corridor #2 — Liminal Narratives

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Benjamin’s Parisian Passages

I have a distant recollection of walking all the way from the Gare du Nord to lunch in the Café Marly by way of the nineteenth-century arcades so beloved of Walter Benjamin. I tried to reconstruct this journey in reverse, starting in the Galerie Vivienne not far from Adrien Gardère’s office:-

A fabulous piece of flânerie and visual tour of Benjamin’s Passages by Charles Robert Saumarez Smith via Passages — | Charles | Saumarez | Smith |

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” …

The Arcades book [Das Passagen-Werk] was never intended to be an economic history (though part of its ambition was to act as a corrective to the entire discipline of economic history). An early sketch suggests something far more like his autobiographical work, A Berlin Childhood [:] “One knew of places in ancient Greece where the way led down into the underworld. Our waking existence likewise is a land which, at certain hidden points, leads down into the underworld – a land full of inconspicuous places from which dreams arise. All day long, suspecting nothing, we pass them by, but no sooner has sleep come than we are groping our way back to lose ourselves in the dark corridors. By day, the labyrinth of urban dwelling resembles consciousness; the arcades… issue unremarked on to the streets. At night, however, under the tenebrous mass of the houses, their denser darkness protrudes like a threat, and the nocturnal pedestrian hurries past – unless, that is, we have emboldened him to turn into a narrow lane.”

Two books served Benjamin as models: Louis Aragon’s A Paris Peasant, with its affectionate tribute to the Passage de L’Opéra, and Franz Hessel’s Strolling in Berlin, which focuses on the Kaisergalerie and its power to summon up the feel of a bygone era. In his book, Benjamin would try to capture the “phantasmagoric” experience of the Parisian wandering among displays of goods, an experience still recoverable in his own day, when “arcades dot the metropolitan landscape like caves containing the fossil remains of a vanished monster: the consumer of the pre-imperial era of capitalism, the last dinosaur of Europe”.

… “

An extract from JM Coetzee’s highly engaging essay on Walter Benjamin: ‘The man who went shopping for truth’ as found at:

https://www.theguardian.com/books/2001/jan/20/history.society as accessed 30 September 2017-09-30